the subtleties of life, poetry,photography,yoga, awareness in the present,perfect imperfection
Saturday, May 29, 2010
Hearing the Breath of Others
I read this poem early this morning. I think this poems speaks to me as to why I do yoga or perhaps what is yoga in action at any given moment or what is "kairos"/There are many times in my life that I do not always feel like listening to others, absorbing, containing the variable energies of the moment. Sometimes I just want my space,but then there are moments that we allow ourselves to be supple and receptive ,that the slate is cleared and something unspoken,noteworthy,glistening occurs between us. Emptying myself out ,so to speak ,in yoga sometimes allows me to rise to these occasions where the human need for connection,affirmation and attention to each other is realized and rewarded and if we are fortunate to listen to our own breath,perhaps we will hear the breath of another as well...
Arc
by Amy M. Clark
My seatmate on the late-night flight
could have been my father. I held
a biography, but he wanted to talk.
The pages closed around my finger
on my spot, and as we inclined
into the sky, we went backwards
in his life, beginning with five hours
before, the funeral for his only brother,
a forgotten necktie in his haste
to catch this plane the other way
just yesterday, his wife at home
caring for a yellow Lab she'd found
along the road by the olive grove,
and the pretty places we had visited—
Ireland for me, Germany for him—
a village where he served his draft
during the Korean War, and would like
to see again to show his wife
how lucky he had been. He talked
to me and so we held
his only brother's death at bay.
I turned off my reading light,
remembering another veteran
I met in a pine forest years ago
who helped me put my tent up
in the wind. What was I thinking
camping there alone? I was grateful
he kept watch across the way
and served coffee in a blue tin cup.
Like the makeshift shelter of a tent,
a plane is brought down,
but as we folded to the ground,
I had come to appreciate
even my seatmate's breath, large
and defenseless, the breath of a man
who hadn't had a good night's rest.
I listened and kept the poles
from blowing down, and kept
a vigil from the dark to day.
"Arc" by Amy M. Clark, from Stray Home. © University of North Texas Press, 2010. Reprinted with permission
Thursday, May 27, 2010
"Summertime/Motherless Child"- Mahalia Jackson
In honor of the warm weather, the warm smooth voice of "Mahalia"
The sky,"solid and insubstantial at the same time"
by Linda Pastan
I always knew I loved the sky,
the way it seems solid and insubstantial at the same time;
the way it disappears above us
even as we pursue it in a climbing plane,
like wishes or answers to certain questions—always out of reach;
the way it embodies blue,
even when it is gray.
But I didn't know I loved the clouds,
those shaggy eyebrows glowering
over the face of the sun.
Perhaps I only love the strange shapes clouds can take,
as if they are sketches by an artist
who keeps changing her mind.
Perhaps I love their deceptive softness,
like a bosom I'd like to rest my head against
but never can.
And I know I love the grass, even as I am cutting it as short
as the hair on my grandson's newly barbered head.
I love the way the smell of grass can fill my nostrils
with intimations of youth and lust;
the way it stains my handkerchief with meanings
that never wash out.
Sometimes I love the rain, staccato on the roof,
and always the snow when I am inside looking out
at the blurring around the edges of parked cars
and trees. And I love trees,
in winter when their austere shapes
are like the cutout silhouettes artists sell at fairs
and in May when their branches
are fuzzy with growth, the leaves poking out
like new green horns on a young deer.
But how about the sound of trains,
those drawn-out whistles of longing in the night,
like coyotes made of steam and steel, no color at all,
reminding me of prisoners on chain gangs I've only seen
in movies, defeated men hammering spikes into rails,
the burly guards watching over them?
Those whistles give loneliness and departure a voice.
It is the kind of loneliness I can take in my arms, tasting
of tears that comfort even as they burn, dampening the pillows
and all the feathers of all the geese who were plucked to fill
them.
Perhaps I embrace the music of departure—song without lyrics,
so I can learn to love it, though I don't love it now.
For at the end of the story, when sky and clouds and grass,
and even you my love of so many years,
have almost disappeared,
it will be all there is left to love.
"Things I Didn't Know I Loved: After Nazim Hikmet" by Linda Pastan, from Queen of a Rainy Country. © W.W. Norton, 2006. Reprinted with permission. (
Linda Pasten once said: "I often write poems in my head to distract myself during hard times. ... Years ago, after a car crash, while I lay waiting for the ambulance, I actually finished a poem I had been working on, determined not to die before I had it right."
Today ,it is this poet's birthday.
Wednesday, May 26, 2010
Boggy Breath
I just wanted integration today, some way to live in imperfection,in contrasts, in dilemmas
Truth to be admired
Confessions
I once shoplifted
a tin of Vienna sausages.
Crouched in the aisle
as if to study the syllables
of preservatives, tore off the lid,
pulled out a wiener and sucked it down.
I've cheated on exams.
Made love to foldouts.
Walked my paper route in a snowstorm after dark,
so I could steal down a particular alley
where through her gauze curtains, a lady
lounged with her nightgown undone.
I've thrown sticks at stray dogs.
Ignored the cat scratching to come inside.
Even in the rain.
Sat for idle hours in front of the TV, and not two feet away
the philodendrons for lack of a glass of water
gasped and expired.
So many excuses I've concocted to get by.
Called in sick when I was not. Grabbed credit
for happy accidents I had no hand in.
Pointed fingers
to pin the innocent with crimes
unmistakably mine.
I have failed
to learn from grievous error.
Repeated gossip.
Invented gossip. Held hands
in a circle of friends to rejoice
over the misfortune of strangers.
Pushed over tombstones.
Danced the devil's jig.
Once, when I was barely old enough
to walk home on my own, I hid
behind an abandoned garage.
Counted sixteen windows.
Needed only four handfuls of stones
to break every one.
"Confessions" by Lowell Jaeger, from We. © Main Street Rag Publishing Company, 2010. Reprinted with permission
There are days that lofty ethereal words are just fluff,and it is better to say it like it is,When one can say things simply,truthfully ,is most admirable,we are but human with interesting flaws
Monday, May 24, 2010
Photography and the capacity for Astonishment
Sunday, May 23, 2010
Poetry in Battery Park
Bill Murray reading poetry with construction workers at Battery Park, N.Y.- near the fallen ghost of the World Trade Center , poems arise from all men and women of the world
Saturday, May 22, 2010
Thoughts on a River Walk today
As i walked along the river on this warm day I thought of this song by Susan Werner
MAY I SUGGEST
From: New Non-Fiction (2001)
Copyright © Susan Werner
May I suggest
May I suggest to you
May I suggest this is the best part of your life
May I suggest
This time is blessed for you
This time is blessed and shining almost blinding bright
Just turn your head
And you'll begin to see
The thousand reasons that were just beyond your sight
The reasons why
Why I suggest to you
Why I suggest this is the best part of your life
There is a world
That's been addressed to you
Addressed to you, intended only for your eyes
A secret world
Like a treasure chest to you
Of private scenes and brilliant dreams that mesmerise
A lover's trusting smile
A tiny baby's hands
The million stars that fill the turning sky at night
Oh I suggest
Oh I suggest to you
Oh I suggest this is the best part of your life
There is a hope
That's been expressed in you
The hope of seven generations, maybe more
And this is the faith
That they invest in you
It's that you'll do one better than was done before
Inside you know
Inside you understand
Inside you know what's yours to finally set right
And I suggest
And I suggest to you
And I suggest this is the best part of your life
This is a song
Comes from the west to you
Comes from the west, comes from the slowly setting sun
With a request
With a request of you
To see how very short the endless days will run
And when they're gone
And when the dark descends
Oh we'd give anything for one more hour of light
And I suggest this is the best part of your life
Guru Parampura
"Guru Parampura"-The unbroken succession by transmission directly from teacher to student
Although, I have not had the privilege of meeting Sri K Pattabi Jois during his lifetime on earth, I feel I know him well through of all of those who now teach me and have been taught by him. I am often a late bloomer in many things in my life and with ashtanga yoga as well, I have found it or "it" has found me closer to the middle of my life.There are many paths and practices to self knowledge, but for me right now a practice that is practical and does not take for granted that we are but layers and layers of matter that contains our spirit,our soul.Ashtanga yoga implicitly makes us aware that to find and question something about ourselves,we must dig and dig past all of those dense energetic layers. And if we are once in a while fortunate enough to see things a little more clearly, what then do we do with such wisdom.Wisdom ,truth,goodness,kindness is not designed to be a hoarded treasure.Our self knowledge fades and transfigures if we do not open ourselves up to be part of the unbroken succession of this transmission, the kind of light like a torch to be handed on to those are ready to take part in this great joy and responsibility that we share with each other. In fondest memory to a great man with the kindness and generosity to hand over his torch to us. Hari Om !
Thursday, May 20, 2010
Does Yoga have anything to do with living?
Monday, May 17, 2010
In the mood for grace today...
The graceful Pete Singer singing words of grace....
Saturday, May 15, 2010
Keeping Earth Alive
The Trail
by Barry Lopez
On a winter afternoon, along a trail in the Sierra Madre in the state of Mensajero, beneath an immense rampart of rising cumulonimbus, a deeply imperfect man bent over to collect a small piece of black glass. He recognized its kind: obsidian, a thick sliver of it. When the molten interior of the Earth is thrown into the frigid sky and it cools quickly it becomes a stone like this. People say of its edges that no knife is sharper, and of its color that it is transparent but bottomless, like the sea’s, so it cannot be rendered on paper or canvas.
The man turned the spalled flake over in the palm of one hand with the fingers of the other. He tested the edge with his thumb and held it up to the sun. He knew of no volcanoes in these mountains, but the trail was many centuries old, and people had carried red coral, abalone shells, and turquoise up and down it for generations. Someone dropped this, he thought, in the time when his grandfather was alive, or in the year of his own birth, or a pilgrim might have dropped it, only days ago.
It glittered in his palm, like sunlight in ice, and he wondered, as the heaving clouds encroached on the sun and the shard of glass darkened, what his obligations were. Should he give it back to the trail or pocket it for the single daughter he was traveling to see? In another age he would not have hesitated to take it to the girl. Now he felt he must put it back, even if later someone else might take it. He believed he had come upon a time in his life when everything, even the things of God, needed protection. When he met his daughter, he would tell her he had found a black tear in the dust of the narrow path and understood he must leave it be. And she would ask whose tear it was, and he would have to use his imagination in the way his people had once done.
fromhttp://www.350.org/350-writers
Friday, May 14, 2010
Poem from project,350.org, "in strong hope"
Optimism
by Jane Hirshfield
Not the simple resistance of a pillow, whose foam
returns over and over to the same shape, but the sinuous
tenacity of a tree: finding the light newly blocked on one side,
it turns in another. A blind intelligence, true.
But out of such persistence arose turtles, rivers,
mitochondria, figs—all this resinous, unretractable earth.
for Project 350, in strong hope
Wednesday, May 12, 2010
Memory
Sunday, May 9, 2010
In honor of all mothers and children of mothers on this Mother's Day
I need a sign to let me know you're here
All of these lines are being crossed over the atmosphere
I need to know that things are gonna look up
Cause I feel us drowning in a sea spilled from a cup
When there is no place safe and no safe place to put my head
When you can feel the world shake from the words that I said
And I'm calling all angels
And I'm calling all you angels
And I won't give up if you don't give up
I won't give up if you don't give up
I won't give up if you don't give up
I won't give up if you don't give up
I need a sign to let me know you're here
Cause my tv set just keeps it all from being clear
I want a reason for the way things have to be
I need a hand to help build up some kind of hope inside of me
And I'm calling all angels
And I'm calling all you angels
When children have to play inside so they don't disappear
While private eyes solve marriage lies cause we dont talk for years
And football teams are kissing queens and losing sight of having dreams
In a world where all we want is only what we want untill it's ours
And I'm calling all angels
And I'm calling all you angels
And I'm calling all angels
(I won't give up if you don't give up)
And I'm calling all you angels
(I won't give up if you don't give up)
Calling all you angels
(I won't give up if you don't give up)
Calling all you angels
(I won't give up if you don't give up)
Calling all you ange
Thursday, May 6, 2010
Daffodils
BY ALICIA OSTRIKER
—for David Lehman
Ten thousand saw I at a glance
Tossing their heads in sprightly dance.
—William Wordsworth
Going to hell so many times tears it
Which explains poetry.
—Jack Spicer
"Daffodils" from No Heaven, by Alicia Suskin Ostriker, © 2005. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the University of Pittsburgh Press.
Alicia Ostriker,the poet says it poignantly, "Life is hard,but better than the alternatives". Spring is upon us now with its
brilliant fields of daffodils. Because life can get hard,let us indulge our senses with "slashes of brilliant yellow"....
Wednesday, May 5, 2010
Mauve Iris of Spring
Bright yellow, mauve - in stately rows.
This one you’ve picked’s a lovely thing,
I know it brightens up our spring.
But in the forest, springtime’s child,
A purple iris growing wild,
Can melt my heart as spring melts snow,
It’s spoilt me for the sort you grow!"
- Jude, Wild Iris
the word "iris" in greek means "eye of heaven".The goddess Iris would carry messages from the gods to humans gliding on a rainbow.Iris is the personification of the rainbow and a swift footed messenger.In Homer's Iliad ,Iris is noted to"run on rainy wind"She carries a message from Zeus to the gods as to not encourage the Trojans in war.Iris is also the goddess who leads the souls of women to the Elysian fields, hence in Greece iris blossoms are placed at the grave site of women to evoke the goddess, Iris so she may be a guide on this journey.
Dark blue,purple irises denote royalty, yellow iris;passion.
Monday, May 3, 2010
Knights in Hazmatic Armour
In honor of all poets who love to swim
It's been exactly 200 years since Lord Byron swam across the Hellespont, on May 3rd, 1810. The Hellespont, now called the Dardanelles, is a strait connecting the Aegean Sea to the Sea of Marmara, an inland sea in Turkey — another strait, the Bosporus, continues out of the Sea of Marmara and into the Black Sea. Together the Dardanelles, the Sea of Marmara, and the Bosporus form a waterway that separates Europe from Asia.
So by swimming across the Hellespont, Lord Byron became the first known person to swim from Europe to Asia. According to Greek mythology, the lovers Hero and Leander lived on opposite sides of the strait — Leander on the Asian side, and Hero, a priestess of Aphrodite, on the European side. Every night, Leander would swim across the strait to see his lover, who hung up a lantern to guide him. Byron was inspired by this story. He loved to swim. And he was 22 years old, on the Grand Tour that many young men undertook.
In its narrowest spot, the Hellespont is only about a kilometer across, or .62 miles. But because of the strong current, it isn't possible to swim straight across, and the swim is about four and a half kilometers, or 2.8 miles. Byron did the breast stroke the whole way, and it took him an hour and 10 minutes. But even though it wasn't very far, it was the first famous open-water swim, and the first swim from Europe to Asia, and Byron's feat was glorified. He certainly contributed to his own glorification — for one thing, he told his servant than when people asked, he should say the distance was three and a half mile, from the Writer's Almanac
We, who love to write,read and listen to poems, also love to listen to the fluctuations of the musings of our soul as we glide through the rippling waves of the water and in the beating of our heart. Such are the delights of all swimming poets....